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One out of three of the most popular songs of 2005 portrayed substance use according to new research which analyzed 279 of the year's most popular songs listed by Billboard magazine. Rap music led the way with 77 percent of songs referring to substance use followed by country at 37 percent and R&B/hip-hop at 20 percent. move back and forth and pop were on the lower end of the spectrum at 14 percent and 9 percent respectively according to a chew over at the University of Pittsburgh School of Medicine presented at the American Public Health Association's Annual Meeting & Exposition in Washington. D. C. Alcohol and marijuana were the substances most frequently portrayed. Substance use was commonly associated with partying sex violence and/or gratify and was most often motivated by peer/social pressure sex and/or money (for instance through trafficking). Younger listeners may be more impressionable when it comes to such messages said study author Dr. Brian Primack an assistant professor of medicine and pediatrics at the University of Pittsburgh School of care for. "This is significant because there are many impressions of substance abuse in popular music," he said. "Since young people are exposed to a lot of popular music they also get exposed to lots of references to substance abuse."

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One out of three of the most popular songs of 2005 portrayed substance use according to new research which analyzed 279 of the year's most popular songs listed by Billboard magazine. Rap music led the way with 77 percent of songs referring to substance use followed by country at 37 percent and R&B/hip-hop at 20 percent. Rock and pop were on the lower end of the spectrum at 14 percent and 9 percent respectively according to a study at the University of Pittsburgh School of Medicine presented at the American Public Health Association's Annual Meeting & Exposition in Washington. D. C. Alcohol and marijuana were the substances most frequently portrayed. Substance use was commonly associated with partying sex violence and/or humor and was most often motivated by peer/social compel sex and/or money (for instance through trafficking). Younger listeners may be more impressionable when it comes to such messages said chew over compose Dr. Brian Primack an assistant professor of medicine and pediatrics at the University of Pittsburgh School of Medicine. "This is significant because there are many impressions of substance abuse in popular music," he said. "Since young people are exposed to a lot of popular music they also get exposed to lots of references to substance abuse."

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Whether or not we were once "merely" highly intelligent but automatically reacting animals - that communicated by talking - and that talking enabled us to work well enough to build complex societies up to and including the AMP (African Method of Production) which is the basic organizing framework for modern civilization - we can leave aside for now. We have each of us witnessed ants termites bees and wasps doing it. (complex social organization) and we do not image-in that on an individual basis these creatures are anything but "automatically reacting animals". (Not very much "questioning" going on in the hive away and consequently not much possibility of psychological development)There is no compelling reason to speculate that our collective anthropocosmos and the attenuated cosmos of these haplo-diploidy insects share any other exoteric organizing features in common - aside from our shared lunatical intra-specific penchant for kill on a grand scale. So I'll leave off the speculative psycho-history and the hive-mind related epistemology of "Sarmoung" and "Beelzebub" (though the esoteric importance of this for "school" and "assort" developmental processes may not be at all trivial given that we are Beelzebub's children's children's children) to refocus on the issue of conscious language. Language is central to everything we do; therefore a deep understanding of language is prerequisite to a deeper understanding of our "selves". It is language that has the power to alter metaphors and analogies including "I" and "me". Since we know that natural language (along with a panoply of complex behaviours) is epiphenomenal to our genetically determined hit coordinate - and that language use itself is an automatic behavior - e g.. I am not now consciously selecting the words (still less the letters) that my individual keystrokes engender (or consciously governing the motor behavior behind the production of the individual keystrokes for that be) nor ordain you be consciously reconstructing the phonemes and morphemes of which these written utterences are comprised. All very automatically and unconsciously your organism will answer up the "meaning" of this writing (these symbols for phonetic events)What if instead of a metaphorical "I" embedded in the lexical handle of subjective speech. (our nothingness) we instead had a system based on the direct apprehension of a material something; (that indefinable something that self-remembering helps us to sense and develop)Could it be that by radically changing the lexical handle upon which the automatic processes of language formation (illusory consciousness - sleep) occur that the goal of metanoia could - at least in part - be obtained? Isn't this really what the "psychological" focus of the work is intended to accomplish?In Beelzebub. Arousing of Thought Gurdjieff opines; Instead of viewing the legacy of pharaonic Egypt with an eye to heterodox psychological interpretation that would be on a degree of philological and classical scholarship that would be confounding to most - let's instead be at something obvious unmistakeable and likely as not. - frustrating to many who have struggled with Gurdjieff's system - the law of three the law of seven where these came from and what they are supposed to give. It is here. I believe that Gurdjieff sought to plant a specific seed in the mentations of contemporary humanity a new set of "associations" by which the possibility of "mentation by form" might be reinstated. In his "law of three: and "the law of seven" (and by extension and application the table of the hydrogens) Gurdjieff presented the lexical field on which pharaonic Egypt (Khemit) based its "vocabulary" of objective construction. For purposes of this discussion. I am freely adapting the bewildering constructions of Egypt as overt expressions of the underlying mentality that produced them. (a la Schwaller de Lubicz) Kind of an inversion of Chomsky's premise that "language is culture and culture is language". At its heart the core out epistimology (lexical field) of Pharaonic mentality was based on a simple numerical progression beginning with the be 1 and elements that are all natural and real. In other words the direct response to the proportional laws of sound and form was the epistmological basis of the entire pharaonic cultural ouevre. Hearing goes directly to the emotional centre whose intelligence directly apprehends (and organizes) reality via harmony. It was by means of this mentality this transfer epistemology (lexical field) that the Egyptians constructed their cultural and technological complex (language-culture-technology)It is quite simple: The inverse of every harmonic progression is an arithmetic progression thus. 2,3,4,5 is an ascending arithmetic progression while the inverse series. 1/2. 1/3,1/4,1/5 is a descending harmonic progression. In music it is the insertion of the harmonic and arithmetic means between the two extremes in manifold ratios - representing the octave double - which gives the progression known as musical proportion that is. 1,4/3,3/2,2. The arithmetic and harmonic means between the manifold geometric ratios are the numerical ratios which correspond to the tonal intervals of the perfect fourth and the perfect fifth the basic consonances in nearly all musical scales. Translation - The basic proportional structure which contains the axioms for our primary mathematical operations is also the basic proportional structure for the laws of music. Arithmetic harmonise contains the law for addition and its inverse subtaction and describes the relationship which gives the natural series of cardinal numbers. 1,2,3,4,5,6,.. etc. Geometric harmonise contains the law for multiplication and its inversion division and describes the relationship which gives any series of geometric progressions. Addition and multiplication are mathematical symbols for patterns of growth. The harmonic mean is derived from a combination of the first two; it is formed by a multiplication of any two extremes (a,c) followed by the division of this product by their add up or arithmetic mean (a+c)/2. For example given two extremes. 6 and 12 the product of 6 and 12 = 72 the arithmetic mean between 6 and 12 is 9 and 72/9 = 8 so 6,8,12 is an harmonic harmonise. Each harmonise has a number of characteristics that are peculiar to it. The arithmetic proportion shows an equality of difference but an inequality of ratio thus in the arithmetic harmonise; 3,5,7 7-5 = 5-3 but 7/5 does not equal 5/3. The geometric proportion is the change of this - thus in the geometric proportion 2,4,8 4/2 = 8/4 but 4-2 = 2 does not equal 8-4 = 4. The importance of the harmonic proportion is the fact that the inverse of every harmonic progression is an arithmetic progression. The progression 1,4/3,3/2,2 represents the frequencies of a fundamental fourth fifth and octave. We then find the arithmetic and harmonic proportions between the arrange lengths 1 and 1/2 representing the division of the vibrating string in half which produces the octave increase in frequency. This gives the progression 1. 3/4,2/3,1/2 because the harmonic convey between 1 and 1/2 = 2/3 the musical fifth and the arithmetic convey between 1 and 1/2 = 3/4 the musical fourth. In comparing these two progressions we see an inversion of rations and a crossing of functional positions between the arithmetic and harmonic convey. Musical harmony though directly accessible to the senses is esoteric because it develops out of a simultaneous inversion containing a simultaneity of addition and multiplication. (patterns of growth) The octave of a fundamental is achieved by the addition of the intervals: in string lengths the fifth plus the fourth equals the octave and the multiplication of the vibrational frequencies of the fourth and the fifth equals the octave (4/3 x 3/2 = 2). The combined cause of addition and multiplication produces the logarithm in mathematics. The Golden Proportion is the archetype for this form of growth. Numbers considered as frequency ratios in a rising scale are equal to the arrange lengths for the descending scale. The law of musical harmony when viewed from the idea of mediating proportion becomes the lexical field of the cosmos where simultaneous oppositional movements interact to act both sound and create. This numerical and harmonic principle can be represented geometrically. (Al-khemia)The geometric convey corresponds to the formula b x b = a x c;The harmonic convey corresponds to the formula b(a + c) = 2ac; i e. the product of the sum of the extremes multiplied by the convey is equal to two times the product of the extremes or b = 2ac/(a+c). The geometric proportion is called the perfect proportion because it is a direct proportional relationship an equality of proportion move by one mean term. The arithmetic and harmonic medians work out this perfection through an interchange of differences in a play of alternation and inversion. We can verify this in number progressions by examining a simple triangular array of numbers which crosses the geometric progression by 2 (horizontal) with the progression by 3 (diagonal). All the successive vertical numbers are to each other in the ratio of 2:3 which is the same as multiplying one term by 3/2 in order to obtain the term below. This successive multiplication by 3/2 the musical fifth is the method used for generatingthe musical measure. Thus:1 2 4 8 16 32 64 3 6 12 24 48 96 9 18 36 72 144 27 54 108 216 81 162 324 243 486 729In examining the table we can see that each square of four numbers for instance 2. 4. 6. 3 contains within it two arithmetic progressions (2,3,4) and (2,4,6) giving us three sides forming the top of a square and one diagonal. We see in the same evaluate the harmonic progressions 2,3,6 and 3,4,6 giving three sides of a square two of them overlapping with the first harmonise the other giving the fourth side of the square and the other diagonal. Arithmetic2-------->4| / || / |v / v3/ 6Harmonic2 4| / || / |v / v3/---------6In Views From the Real World New York. February 20. 1924 Gurdjieff made the following remarks; measure measure we spoke a little about the Law of Three. I said that this law is everywhere and in everything. It is also found in conversation. For dilate if people talk one person affirms another denies. If they don't lay out nothing comes of those affirmations and negations. If they argue a new prove is produced that is a new conception unlike that of the man who affirmed or that of the one who denied. This too is a law for one cannot altogether say that your former conversations never brought any results. There has been a prove but this prove has not been for you but for something or someone outside you. But now we communicate of results in us or of those we wish to have in us. So instead of this law acting through us outside us we desire to bring it within ourselves for ourselves. And in order to achieve this we have merely to change the field of action of this law. What you have done so far when you affirmed denied and argued with others. I be you now to do with yourselves so that the results you get may not be objective as they have been so far but subjective."

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A source on the Hill emails about the for Defense Appropriations saying that it "contains a massive be of earmarks – 2,049 to be exact." I'm going to round the figures somewhat (they were calculated on the fly) but total be of the earmarks is $4.9 billion. Included are 24 new earmarks costing about $59 million that were “airdropped” into the conference report. "These earmarks were considered by neither the House nor the Senate and were immaculately conceived in the conference report," he says. I've started skimming the inform and not everything is going up. According to for example. Rep. James Moran had sponsored or co-sponsored in the accommodate bill; after conference his name was still attached to 29 earmarks but the amount budgeted for them will be $40 million. The mission of the Sunlight Foundation is to use the transformative power of the Internet and new information technology to enable citizens to learn more about what Congress and their elected representatives are doing and thus help reduce corruption ensure greater transparence and accountability by government and advance public trust in the vital institutions of democracy. To further its mission and give as much relevant information as possible the foundation writes a number of blogs on those topics. Within these blogs we sometimes cerebrate to other articles that you may find useful. Opinions expressed in these linked articles are not necessarily those of the Sunlight Foundation and nothing in those articles should be understood as such or otherwise attributed to the Foundation. The Sunlight Foundation does not give or argue candidates for public office. : The party sponsored by the Distilled Spirits Council of the United States to celebrate the Senate majority leader. account Frist at the New York Yacht Club was one of the more over-the-top events of the Republican National Convention in 2004 featuring 10 bars and more than a half-dozen special vintage Scotches. The group held a similar soiree that year for Senator Tom Daschle the minority leader at the Democratic Convention in Boston. ( ) : Former Sen. Conrad Burns. R-Mont. is no longer under investigation by the Justice Department for his connections to convicted lobbyist Jack Abramoff. ( ) : It has a been a difficult few years for earmarks the pet spending projects that lawmakers pursue in Congress. They undergo been linked to felony cases blamed for the national debt stripped from the calculate exposed to public scrutiny and subjected to.

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Based on the bestselling PlayStation 2 videogame series the Kingdom Hearts Trading Card Game takes players on an epic magical seek as they take on the role of Sora as he teams-up with classic Disney characters including Donald move the Genie and King Mickey Mouse to battle the Heartless and assay to save the worlds. The booster pack contains 10 cards. Each booster show box contains 24 packs. Change Currency [] - []:: :: :: :: :: &write; Copyright 2004 - 2007 9142-0042 Quebec Inc. All rights reserved.

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businesses to be on the lookout for spam that contains a trojan-laden attachment claiming to be a legal complaint against recipient. The bogus emails be to go from frauddep[at]ftc[dot] gov a spoofed communicate and contain the actual logo for the in an attempt to establish legitimacy. The text says that "a complaint has been filed against you and the company you're affiliated with," a tactic used to dupe victims into opening the attachment. "Once you open the attachment that's when the virus is launched and that's when they can go away stealing your identifying information," David Torok a director in the FTC's Bureau of Consumer Protection told SCMagazineUS com today. The attachment contains a that attempts to pilfer the usernames and passwords from victim's machines he said. The spam run began Monday and has been "pretty virulent and widespread," Torok said. Officials said they've received reports today although they hope the race is short lived. "We've received calls from some companies where every person in the company has received a copy," he said. Dave Marcus security researcher and communications manager for told SCMagazineUS com that users who run up-to-date software should not be affected. "Password stealers are a dime a dozen," he said meaning that most anti-virus solutions have signatures in displace to defend against such. He said users should also look for tell-tale signs that the email is bogus. The FTC said the spam contained numerous spelling grammatical and syntax errors – a common indicator of an email scam. "When you get something from the FTC you're not going to see things written by people who are obviously not native English speakers," Marcus said. Torok said users should not click on links or attachments coming from untrusted or unknown sources. "Most [federal] agencies won't be contacting companies in this manner by an telecommunicate," he said. "It's beat to delete it alter your inbox and go on with your business."

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A University of Nevada. Reno professor has lost a flash control that contained the names and Social Security numbers of 16,000 current and former students a UNR spokeswoman said today. The flash drive contained the information of incoming freshmen who enrolled in the fall semesters from 2001 through 2007 said Jane Tors of UNR's communications department. That does not include freshmen who enrolled in the spring assign students or graduate students. Tors said there has been no indication that the information has been accessed but letters were sent to each of the students alerting them to the situation. "We also are providing students with access to an identity protection function for one year at no be," she said. The portable computer storage device was lost Oct. 19 somewhere off the campus by an administrative faculty member who is not being identified. Tors said.

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Chocolate is chucking full of powerful antioxidants called phenols the same as those found in wine. In fact a 1.5-ounce chocolate bar has as much antioxidant power as a 5-ounce furnish of red wine. (White chocolate which doesn’t contain any cocoa solids doesn’t count.) And opposing to popular belief chocolate contains only a very small amount of caffeine. Good news for chocolate freaks: One-third of the fat in chocolate is a cholesterol-friendly fat called satiric acid and another third is an unsaturated fat called oleic acid. One research open that the chocolate diet reduced LDL oxidation. If you’re going to indulge object these points carefully: Choose dark. Dark chocolate contains more phenols than other forms of chocolate. draw chocolate contains milk fat that is highly saturated. Semi-sweet chocolate has less fat than milk chocolate. Fruit Serving. Dip strawberries into melted chocolate for a high-antioxidant snack that can easily satisfy one or two fruit servings. An easy way to get melted chocolate is to simply microwave semi-sweet chocolate chips on medium for about 30 seconds. Be sure the strawberries are complete dry before you dip. Go for quality. Buy the richest creamiest chocolate you can afford. You’ll be more satisfied with one piece of the good cram than five pieces of the ordinary cram. This entry was posted on Monday. November 19th. 2007 and is filed under. You can go any responses to this entry through the. You can or. Previous affix: »Next affix: » Note: Any comments are permitted only because the site owner is letting you affix and any comments could be removed for any reason at the absolute discretion of the place owner. XHTML: You can use these tags: <a href="" title=""> <abbr call=""> <acronym title=""> <b> <blockquote cite=""> <code> <em> <i> <touch> <strong> wonders whether we should have elections in Pakistan or let a tyrant rule the country and act in our poll below. Chowrangi is a crossroad of lifestyles. Chowrangi cover topics related to business entertainment current affairs religion sports technology and other aspects of our daily lives. If you are interested in writing on Chowrangi com displace us a line at

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Welcome to Linux Forums. With a comprehensive information on various types of and many articles we have all the knowledge you be a move away or accessible via our knowledgeable members. Welcome To The Linux Forums! accept to Linux Forums. We experience ourselves in being one of the largest Linux communities on the web we back up you to on our forums and participate in the community. There are over 120,000 members create from raw material to answer your questions today will allow you to alter new posts get give send messages to other members and submit downloads to our downloads directory and many other great features! I am new to Linux programming after many years programming. I ran automake on my GCC communicate which created the following line in Makefile: @SET_MAKE@ Upon running make. I got the following error: Makefile 15: *** missing separator. Stop. I cannot find any compose to SET_alter within info. Does anyone experience how to fix my error? Thanks. Macros of the create @XXX@ in Makefile in are supposed to be expanded to whatever XXX is defined as. A quick look shows that '@SET_MAKE@' often isn't set so it gets deleted. come up it depends what you are trying to do. Why are you running automake? Is my GCC communicate the GNU compiler collection? Or do you mean your own communicate that happens to use GCC? I've compiled GCC many times both as a native compiler and to make various go across compilers. But I've never had to run automake. You shouldn't either unless you edited the compiler label itself. I'm not totally sure but I evaluate this lie in configure ac:AC_PROG_MAKE_SETget's translated into a block that includes this line in configure:SET_alter="MAKE=${MAKE-make}"And this partial sed script is included in the CONFIG_FILES divide later in configure which is used to actually do the substitution:s,@SED_MAKE@,$SET_alter,;t t My communicate is a bit complicated and perhaps ordain be used by many folks. It is a macro meta-language called Ameba which provides partial evaluation an adaptable syntax and an object base as main memory. Thus it seemed automake and its helpers would be the alter way to go so Ameba can run on various platforms. The learning turn for automake now appears non-trivial. Thus. I've changed my mind about using it for the time being. I'll manually label my Makefile. The info I've read promises a future automake that is easier to use. Perhaps someone will eventually connect my project who already knows automake. However my one-liner communicate description probably seems too fantastic to be possible. Thus. I don't hope for help until an initial channel of Ameba. Can you recommend a schedule or online tutorial that explains automake autoconfig etc. Thanks again. The learning turn for automake now appears non-trivial. Thus. I've changed my mind about using it for the time being. I'll manually code my Makefile. I heartily agree. OTOH. I'm always pleased when I expand a sourcecode tarball and see that the compose was kind enough to create and consider a assemble script. But OTOH. I've tried to learn enough to make changes to a couple projects and have met with very limited success. There are some other tools that be to compete to a degree though I haven't thoroughly checked them out: The aptly named schedule published and printed by Sams Publishing is also available in its entirety remove online. It was just updated last year.

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